Evolving a Traditional Sound
Andy Powers was inspired to create the Grand Pacific by the bluegrass and other acoustic roots music records he grew up listening to with his dad. Though a lot of that music was created with dreadnought-style guitars, Andy wasn’t interested in simply building another version of an existing dreadnought. Between the subtly rounded contours of the Grand Pacific’s body and the V-Class bracing under the hood, he was able to craft an instrument that could make the kinds of acoustic sounds he heard on those records, while also taming some of the problematic attributes often associated with dreadnought-style guitars. (These sonic issues were typically fixed during the recording/mixing process.) Some of the notable sonic improvements you’ll hear in the Grand Pacific include:
Clear Low-end Power
Andy eliminated the low-end woofiness/muddiness often associated with dreadnought-style guitars. The Grand Pacific produces warm low-end power but with more clarity, which means the bass frequencies are more musical and less problematic for recording and other applications.
Tonal Consistency from Low to High
Some traditional X-braced dreadnoughts create their low-end power at the expense of other frequencies. With the Grand Pacific, you’ll hear smooth, warm, powerful notes consistently across the entire frequency spectrum.
Greater Versatility and All-Around Utility
The Grand Pacific also isn’t musically confined the way a dreadnought can be. It blends the power of a bluegrass guitar with the clarity and playing comfort that singer-songwriters and even finger style players will enjoy. Its all-around utility makes it a fantastic workhorse guitar.